Video duration: 299 seconds
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For rounds two and three of the Field Recorder Shootout, Owen O'Malley tests out our three recorders in a large indoor shopping mall and at the train tracks! We will still be taking bets, however. On anything. Owen also explains why we didn't put a windscreen on any of these recorders, and it's not because we're totally ignorant, we promise. See more on gearwire.com.
Video duration: 341 seconds
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As far as field recorders go, the Sony PCM-D50 might cost you more buck for your buck, but it also provides a whole lot more bang. Boasting two positionable microphones, four GB of internal memory and of course, refined sound quality, the PCM-D50 cuts no corners.
Gearwire's Owen O'Malley brings one to band practice and the results are pleasantly satisfactory.
See more on Gearwire.com.
Video duration: 253 seconds
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Sony PCM-3202 2-track digital reel-to-reel audio mastering recorder. Made in the late 80's, it operates at 44.1 or 48khz at 16-bit on 1/4" tape. Two analog cue tracks, ceramic capstan, 30 random access memory locations with built-in auto locator, time code, ±12.5% vari-speed, A-B repeat. AES/EBU and SDIF-2 digital interfaces.
Video duration: 288 seconds
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My first PCM video. Sorry for lag.
PS. The A. Schleck was a tactic attack to make the other favorites to go to front and try to cacht him and make them tired. And it worked :)
Video duration: 440 seconds
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Music video by Melissa Etheridge performing Bring Me Some Water: Live at the Kodak Theatre - PCM Stereo Mix
with Melissa Etheridge, Michael A. Simon, Michael A. Simon, Mark Stepp, Jeff Roe, Bill Deronde, Jerry Watson, James Tanker, Michelle Stahl
(C) 2000 The Island Def Jam Music Group
